Champagne and Caviar
“Champagne and Caviar”, is the title I’ve given to this spectacular quilt! It began as a 100ish year old, silk embroidered tablecloth, purchased from an estate sale. Unfortunately, I have no information about the maker, who is the major artist on this work!
This tablecloth was incredible when I found it! Exquisite handwork comprised of drawn thread work and a padded satin stitch. Seriously incredible because the maker essentially DOUBLE embroidered this piece. First, with a white cotton floss to create a 3-D effect, then she stitched over the first embroidery with silk floss. Of course, pictures don’t do it justice. I will hope you might see it in person someday!
To begin this quilt, which is 75″ square, I stitched around every bit of embroidery and thread work. I backed the entire piece with white satin to give it a subtle sheen. I used the new Glide Cream color, 60 weight thread for the outlining. It’s a great super fine, polyester thread.
I started in the middle, knowing this focal point would be an important part of the quilt. I used Handi Quilters’ Preview Paper, which is a sturdy, clear plastic to audition and play with designs. You can see what I decided on in the next photo. LOVE preview paper!!!
I worked different areas of this quilt depending on each days’ mood! I stayed on this for over a month, maybe 250 hours, which is really impressive if you know me! I get tired of working on the same thing and often hop from project to project. This was actually fun and I could hardly wait to get up every morning and work on something different.
At one point I realized I would need to start doing some embellishing as I quilted, so that I would make a show deadline. Yikes! Thank goodness I use Red Snappers, which made the loading process take just a few minutes each morning. I spent my evenings beading and my days, quilting!
Maybe the most difficult decision I had, was to eliminate some of the makers’ embroidery. It was the only part of this pristine piece that had some wear. I either had to repair the work that was missing or take it out completely. I spent many evenings taking out her work, which made me feel terrible. Once the quilt was finished, I loved that I made that decision!
A few more pictures of my process. This quilt is off to the Utah Quilting and Sewing Marketplace show in Sandy, Utah. It can be seen live and in person from May 4-6 at the South Towne Expo Center. Later this summer, it will hang at the Kansas City Regional Quilt Festival, held June 15-17, in Overland Park, KS.
I’ll share the final photos in a week or two. I want her to get through her very first competition in Utah next week. I’m so excited to finally have had time to work something for myself. I’m sure it was the makers heirloom piece and now it’s mine. I couldn’t be more thrilled!