I’ve got a new project on the frame, it’s a vintage cutwork tablecloth. I actually went at this a little backwards because I saw a fabulous design by Telene Jeffrey, AKA Lady Jane Quilting. Telene is a phenomenal quilter and designer and has just published a few of her designs that can be purchased in PDF form. I knew I had to have one immediately when I saw her post these on her Facebook page. This is the one I chose. When you purchase them, they come to you in a PDF file (these are not digitized designs) and you have the freedom to enlarge or reduce as you wish. Telene gives very specific directions, once purchased, on how to do this.
I didn’t want to spend time changing the size of the design, so in my lazy way I picked a tablecloth that would fit the print out! Yup, that’s how I roll!! If I wasn’t so anxious to start quilting, I might have taken that time, but I didn’t. I printed out the quadrant that she provides and decided my best light box would be my glass kitchen table. If you don’t have a glass table, tape your design to a window or door, it works great too! I put a lamp, without the shade, under my table and voila, a very large light box!
I spent the afternoon tracing the design, a quadrant at a time. Once I had half of the design traced, I flipped the entire half over and then traced the other half. I used a blue water soluble pen for the marking. Any brand will do. To remove when finished, I use a mix of 1 heaping teaspoon of baking soda, dissolved in 1 cup of ice cold water. I’ve been told that this mix changes the PH of the pen and it’s always worked for me. Do NOT let an iron or heat touch this until you have removed the markings. Heat will permanently set the markings, yikes!!
I printed out one detailed section and one with just the base lines, this way I could get an idea of the spacial relationships AND I wouldn’t need to refer back to her drawings when I started quilting. Telene said feel free to change fills, etc., but I really want it just like she designed.
This may be the biggest ‘chore’ for me. I’m always so anxious to get started that planning and drawing are not my strong suits. Many times I will load right on the frame and start stitching a drawing there and then while I work, letting the design come as it may. This time, it’s all about the planning!
I put the tablecloth (roughly 36″ square) on top of a piece of Antique Gold, Dupioni silk. I buy my silk on Etsy from Fabric Supplier. They have great colors and it’s $15 a yard with free shipping. You can’t beat that! They usually ship within a day or two of ordering.
The first thing I do on the longarm is use my channel locks to square the tablecloth. This gives me a great frame to work within and I know it’s square. Linen fabric has a loose weave, so I can manipulate the fabric to make it square. Sometimes, I spritz some water to make it more manageable, but since that would remove my blue line work, I couldn’t do that. I was able to square it up very easily without the water.
At this point, I use my Notched Ruler to help stabilize areas of the linen. It nests nicely in my hopping foot for precision stitching around all the cutwork. You can see how this ruler works here in a YouTube video.
This gives you an idea of the kind of exacting work I can do with that ruler. I love the way the Dupioni silk shows through the cutwork!
I’m using one of my smallest rulers that I call the 1/2 Slim (1 1/2″ x 5″) to do most of the line work. It fits in my hand easily and I can move it quickly. Yes, my stitches are tiny too, 16 SPI (stitches per inch). When doing these tiny feathers and curves, small is best. I’m filling the areas with a scribble stitch to make the open areas really pop!
I couldn’t wait to see how this looked without the blue line, so I use a Q-tip dipped in my removal mix, to take away just a bit of the design. LOVE how this looks! My thread colors, you ask? Glide 40 weight thread, in colors Coffee and Cleopatra. I love the gold because it looks like metallic, but I don’t need to fight with that. Admittedly, I have struggled with using metallic threads, therefore, I don’t! 😉
This is what I have so far. I’ll post again at some point, but wanted to get the beginnings put to words so I could inspire you all to do this as well. Honestly, it’s not difficult, it’s just a process. As I tell folks, it just takes practice, as does riding a bicycle, learning cursive, playing an instrument, or anything we do well. It’s a habit that takes time and you can’t expect it overnight. If you want to be good at something, practice. Quilting is just that for me, something I love and want to do well!
You can also follow me on my Facebook page for daily posts. Enjoy your day folks, whatever you are doing!
I am frugal and I rarely buy fabric. I collect vintage, mid-century tablecloths and they have stacked up. A few years ago, I was at a loss for a quick backing, so I thought ‘why not use one of these tablecloths”? I did and it’s now my favorite backing! Last week in that, IT’S AFTER CHRISTMAS AND I GOTTA ORGANIZE SOMETHING mood, I started in on my vintage tablecloths to put some order to the mess. When I saw these beautiful colors, I HAD to create a top to go with it, of course! I set out to quickly cut some appropriate blocks from my stash and thought I’d whip up a simple 4 patch quilt. Well, the top grew, then I had to add borders to the tablecloth, then border the top. Each kept growing and finally I was ready to quilt the whole thing.
I sure didn’t mean for this to be a week long project, but it quickly “asked” for more! I never know what a quilt will be until it goes on the longarm frame. They start talking back once they arrive!
I further complicated my quilting life by adding this flange. Super cute I thought when I was sewing, but a bit of a pain in the you-know-what once I started quilting! This required lots of ditch stitching and ruler work. Thankful for my favorite 9″ Slim Ruler to make this job enjoyable! Honestly, I do love ruler work.
This quilt is a mix and match of a computer digitized motif and free motion quilting. The white blocks are done with the Handi Quilter Pro-Stitcher computer. The 4 patch blocks and outer borders were done with rulers and free motion quilting.
I love this double sided curvy ruler by Jane Hauprich. You can order it on her website.
A quilted top begins to take on a personality, if you can call it that, very quickly. At the end of a day I stand back and take it all in. Something about that texture is just exciting to me!
Probably the best part of the adventure is the end! I flip it over my back rail to get a good look at my stitching. I’ve learned over time to take a moment and study it all. There is nothing worse than taking a whole quilt off the frame and then realizing you missed a spot and have to put it back on, UGGGHHHH!!! Isn’t she a beauty!!!
Much better to see in natural light! I always take my photos in front of my front door, snapping the photo TOWARD the light. You get incredible shadowing over your quilt this way and don’t we want to show that off?!!
Details on this quilt…….55″ square, Hobbs 80/20 batting, and Glide thread. I quilt on a Handi Quilter Forte with Pro-Stitcher, new to me this year. Before that, I quilted on a Handi Quilter Fusion. I love this new machine with all it’s bells and whistles! The digitized design is called Serenity, by Christy Dillon, My Creative Stitches is her website.
The question I keep getting most on my Facebook page page is, “how did you center the back to the front?” The real answer is, I don’t know!! Really, I did a quick eye ball and then winged it! I know, not very helpful, but I figured it would end up as a kids’ quilt and they really aren’t too picky. Where WILL this go, you ask? I’ve added it to my trunk show collection for a great, ‘use a tablecloth’ example. I hope you’ve enjoyed this quilt as much as I have! Enjoy your day folks!
I’ve done 3 live feeds on my Facebook page on quilting a vintage hankie. I’ve figured out how to take that to YouTube, so you can see how I start, design and then begin quilting on my longarm. I hope these help and inspire you to get started! I’ll post photos here when I finish, but if you want to follow the process, find me at Kelly Cline-Quilt Artist on Facebook for daily updates.
I sometimes get so busy making ‘stuff’, that I forget to either take photos or talk about it. I’m SOOO not a writer, but love my right brain, artistic tendencies! I could make things all day, all night, and really never sleep. Except, I love sleep!! 😉
I recently made this pillow for a class sample, using a random vintage block that I’m sure I picked up in a pile of other things at an antique shop. I did a quick sew on my domestic machine, just to put on an extra border and some rick-rack. The rest was done directly on the longarm.
I’ll take you through my steps and we’ll start from laying it out on the longarm. I’ve used a piece of muslin for the backing since it really won’t be seen when finished.
I used a tatted coaster for the middle. I had recently picked up a set of these and just LOVE the tatted edges. I start by using channel locks to square the piece on the longarm, horizontally and vertically. Makes for a great square ‘canvas’ to work inside. ***If you spritz a bit of regular water on your small piece, it can easily be manipulated and directed where to stretch!***
I like the grid stencils that Dorie Hruska sells and I always use a blue, water soluble pen to make my marks.*** Don’t let these get heat set or “sunshine” set before you remove them. My favorite mix is 1 cup of ice cold water with 1 heaping teaspoon of baking soda. Put this in a spray bottle and remove marks. They shouldn’t reappear.***
Once I had the quilting done on the front, I needed to quilt a backing. I like to use vintage tea towels or tablecloths for backing. Uses them up and they keep the piece in the era.
From this, to that!
I made my life easy and used a digitized computer design for an all over pattern. Stitched up in less than 5 minutes! I have a new, Handi Quilter Forte with Prostitcher computer, an upgrade from my 5 year old Fusion. Loved my Fusion, but maybe love the Forte more!
My favorite type of pillow is an envelope pillow. I’ll pop along the photos for a brief look at the process. Try looking for a YouTube video, I’m sure there are many!
I split the piece in half (it began about 4-5″ wider than my pillow top)
I turned under both edges for a finished edge, machine stitched.
Then overlap these two edges about 2-3″.
At this point you simply lay the right sides together, adjusting your backing to be the same size as your pillow top.
Take this sandwich of pillow top and back, pin the two halves together, and sew around the entire perimeter. You’ll be able to turn the pillow inside out by using the opening in the middle.
I also stitched 1″ inside the perimeter to have a nice flange around the pillow.
Here’s a flat look at the finished product! I usually make a stuffed muslin pillow specifically for the inside, using leftover batting scraps. Each pillow finishes in different sizes, so makes me not conform to specific pillow forms. This pillow is about 20″ square.
Here is the super cute backing!
So there you have it! Let me know if you have any questions, I’m always happy to help or guide you. I just love making things like this from forgotten or tossed out vintage parts and pieces. I always think someone is looking down and smiling over my shoulder. Have a great week folks!
This weekend, Saturday, April 7 and Sunday, April 8, is my guilds quilt show, Kaw Valley Quilters Guild. I’ve finished a fabulous hankie to put in the silent auction. I’ll share a few pictures from the process, beginning to end result. I’ll admit these pieces are hard to give up once they are finished!
This beautiful hankie is bordered with exquisite lace. I couldn’t resist re-purposing this one!
I started with my backing, then 2 layers of Hobbs 80/20 Heirloom, and a piece of satin on top, about 20″ square.
My first order of stitching is to “ditch stitch” on the inside edge of the lace. This gives me a ‘frame’ to work with.
I use this Kelly Bean, notched ruler, to work around any shape or embroidery. Only on a longarm, just nest your hopping foot in the notch. Use one hand on your handle and the other to move around the ruler and hopping foot, magic!!
I love to use Cindy Needham’s Ultimate Stencils for designs in negative spaces. She has a fabulous E-book to go along with the stencils which I highly recommend. You can start to see the design take shape in the following photos.
At this point I have finished all of the inside quilting. I leave the lace loose and will use beads to tack down where needed. Lace lends itself nicely for embellishment!
I usually choose a simple piano key border. It calms your eye and doesn’t take away from the focus of the lace.
I love handwork of any kind and can spend countless evenings, watching TV and stitching. This piece required 3 solid nights of handwork. I used glass beads, pearls from a broken vintage necklace (my preference), and the tiniest of Hotfix Swarovski crystals. I like the glimmer, but I also want it to be subtle.
I love to frame these pieces or make into a pillow. With the heavy amount of beading, I decided a frame was in order!
You can find this on the silent auction block, this weekend, in Lawrence, KS. Here’s the flyer. It doesn’t say Lawrence, but it tells you everything else. Hope you can make it if you live in the area!
I love to find these beautiful, vintage pillow covers. They tend to be about 100 years old and created in the early 1900’s during an era called, Society Silk. Many of these use silk floss and came in a kit with a pre-tinted linen, just as our kits come today. What makes these very special to me are the quirky sayings and silk threads that were used. I quilt these on a Handi Quilter Fusion, longarm.
This the the original cover. I removed the backing, which was a depression era, green linen.
I’m pretty sure the maker would be mortified if she knew she missed a spot. The magenta stitch is hers, the satin stitching would have gone over it to give some padding.
When placing designs on cloth, I use a blue, water soluble pen. I only make registration marks and try to do the smallest bit of them. A great tip for removing the blue marks, mix 1 heaping teaspoon of baking soda to one cup of water. Put in a spray bottle and marks disappear, forever! At least I’ve had no reappearing marks since I’ve used this method!
I usually don’t have a big plan for these pieces until I begin them. I let them ‘talk’ to me while I stitch and they usually SCREAM at some point! 😉
I use my rulers for all straight lines. The longer one is great for ditch stitching and long runs and then the smaller, Palm ruler, is super for short lengths.
The maker on this piece did some luscious embroidery!
I use these notched rulers for guiding me around the embroidery.
Viola’! Another great finish! I adore these pieces and hope you’ve enjoyed the beauty and re-purpose also!
I often scroll through Pinterest in the evenings, admiring quilts, embroideries and crafts in general. I came across some ‘name’ pillows and decided that’s exactly what my granddaughter needed for her new bed. I don’t know about you, but when I see something I like or get a new idea, I MUST make it immediately! I love to make a pillow directly on my long arm, so this photo heavy post will cater to the longarmmer, however, you can sure do this on your regular sewing machine. The first thing I did was free hand draw the letters onto freezer paper. With the shiny side down, I ironed the letters onto the fabric.
Next, I added a layer of fusible interfacing to the back of the fabric, then I cut everything at the same time. This way, I can iron my letters to the background fabric and I’m ready for handstitching the edges.
I spent a few evenings, using a buttonhole stitch and pearl cotton to embroider the letters. I love the background fabric! A hand dyed piece I found somewhere on my travels.
The background piece is about 20″ x 30″. I basted around the perimeter of the piece so I have a nice frame and area to do the quilting. I used one layer of Hobbs 80/20 and Glide 40 wt. thread.
I use my notched rulers to outline around the applique before I set off on the free motion quilting. I had a blast doing a whimsical, free flowing design.
Yes! I quilt every tiny space, yikes!
You can see I added a stitch line at the halfway mark. This way I will be able to easily add the fringe and have a cut line to split the pillow.
Can you believe I found this perfectly matching fringe at my local Hobby Lobby! I couldn’t believe the colors were so perfect and who doesn’t love fun fringe!
I used the horizontal channel locks on my long arm to stitch down the fringe. Of course, this could all be done on your regular sewing machine, but I try to do everything I possibly can on the long arm so that when I take it off, it’s just assembly!
Now that the fringe is all stitched, I’m ready to take it off the frame and give it the old, ‘right sides together’!
You can see how easily it split apart.
Right sides together now and I’ll take it over to my sewing machine. I will tell you, it takes a bit of thought. I kept repeating to myself, ‘right sides together, inside out’, things like that.
As I worked on this pillow I thought, how much fun would Junie have if she had a treasure pocket! Juniper is a treasure LOVER and a pretty good treasure hunter. SOOO, I created an envelope with a secret pocket underneath. Hopefully you can follow my photos to see what happened!
I stitched on ready made patches for some fun!
The most special part is this secret pocket under the false envelope that ONLY Juniper will know about! 😉
There you have it! What a fun project that can be completed pretty quickly. I think any child would love this. I hope you’ll give it a try!
I’m so excited to share my two new rulers! You can watch the video to see how I use them. They can be ordered on the tab, Notch Rulers. I am SUPER excited with the control and accuracy I can achieve with them. I hope you’ll give them a try!
Just what you’ve asked for and so many have waited for! Finally, a video that shows you how I approach quilting vintage linens on the longarm. Thanks to Handi Quilter, who recently filmed a 45 minute segment on this process. I hope you enjoy the episode and don’t hesitate to ask questions. If you are interested in my rulers or lectures/workshops, find those tabs for more information. Thanks for visiting!
While teaching and traveling in Australia this last February, I was given quite a few lovely pieces of handwork and Aussie fabrics. I have them all hanging in my studio and a few weeks ago I was inspired to create something special with two of the pieces.
On my longarm I have a backing, then Hobbs 80/20 batting, then the super cute, Koala background fabric. At this point, I ran an edge to edge design over the background fabric, THEN, laid the two doilies on top of the fabric.
Let’s start at the beginning and I’ll take you through the process. Under each linen I added a single layer of Hobbs 80/20 batting to give an extra loft. It also hides the print that is under the doily. I cut the batting larger than the doily and trim it away after I have quilted the linen.
I stabilize the piece by “ditch” stitching around the inside edge of the crocheted trim. I leave that scant 1/8″ so that I can trim away the batting later. You’ll see what happens when I finish quilting. I quilt on a Handi Quilter Fusion and here I am using the “Glide” foot. It is almost a necessity when stitching lace and embroideries. You can see it glides right over all the thickness.
At this point I will stitch around ALL the embroidery. I never stitch over the handwork, but around everything! It gives the piece great definition and pops it right out of the linen. Deciding on the design usually comes as I am outlining all of the embroidery. You can see the spine I have created for the eventual feathers. I like to use a blue, water soluble pen for marking. (TIP: to remove blue marks completely and seemingly forever, mix 1 t baking soda to 1 cup of water, place in a spray bottle. This mix must be fresh each day it is used.)
I trimmed the batting to the inside edge of the trim crochet, using a curved pair tiny, sharp scissors. My favorites are a simple pair of cuticle scissors!
After the batting is trimmed, I lay down the crochet and stitch the outside edge to cover any of the batting that might have not been precisely trimmed. It always covers that raw edge of batting.
You can see here how much stitching I put into the embroidery.
The full piece was taken off the frame and split in half, therefore, creating both sides for the tote bag. I made both sides a bit different. I also TEA stained the pieces once I had the quilting done to make the fabric match the age of the linen. This really made the whole thing come together!
Next, I sewed the halves together and also made a lining WITH a pocket for the inside.
Handles were added, also tea stained.
And there you have it! A new tote bag made by repurposing an antique linen. It’s also a fabulous reminder of the great friends I made in Australia! (Special thanks to Lynne for the handwork and Caroline for the fabric!)
I hope this post helped to see the process for some of the bits of handwork we all have hiding in our drawers. Try it, you’ll become a lover of vintage repurposing!