I attended QuiltCon last week, so my quilting was suspended! I’m back on this beautiful, wholecloth quilt. You can see the beginnings on my post from Jan. 28 if you scroll down. It’s a slow process, especially filling all the backgrounds that I decided to fill. Sometimes I wonder WHY I did something, not thinking about how many times I might have to repeat the process. That’s usually when I get bored! I love the challenge of new projects and figuring things out, but once I’ve done that and the first stitching, the rest may be monotonous. Do you feel this way when you create? The morning light across a quilt does get me excited though, so you’ll find me in my studio all day today!! Have a great Wednesday!
I’ve got a new project on the frame, it’s a vintage cutwork tablecloth. I actually went at this a little backwards because I saw a fabulous design by Telene Jeffrey, AKA Lady Jane Quilting. Telene is a phenomenal quilter and designer and has just published a few of her designs that can be purchased in PDF form. I knew I had to have one immediately when I saw her post these on her Facebook page. This is the one I chose. When you purchase them, they come to you in a PDF file (these are not digitized designs) and you have the freedom to enlarge or reduce as you wish. Telene gives very specific directions, once purchased, on how to do this.
I didn’t want to spend time changing the size of the design, so in my lazy way I picked a tablecloth that would fit the print out! Yup, that’s how I roll!! If I wasn’t so anxious to start quilting, I might have taken that time, but I didn’t. I printed out the quadrant that she provides and decided my best light box would be my glass kitchen table. If you don’t have a glass table, tape your design to a window or door, it works great too! I put a lamp, without the shade, under my table and voila, a very large light box!
I spent the afternoon tracing the design, a quadrant at a time. Once I had half of the design traced, I flipped the entire half over and then traced the other half. I used a blue water soluble pen for the marking. Any brand will do. To remove when finished, I use a mix of 1 heaping teaspoon of baking soda, dissolved in 1 cup of ice cold water. I’ve been told that this mix changes the PH of the pen and it’s always worked for me. Do NOT let an iron or heat touch this until you have removed the markings. Heat will permanently set the markings, yikes!!
I printed out one detailed section and one with just the base lines, this way I could get an idea of the spacial relationships AND I wouldn’t need to refer back to her drawings when I started quilting. Telene said feel free to change fills, etc., but I really want it just like she designed.
This may be the biggest ‘chore’ for me. I’m always so anxious to get started that planning and drawing are not my strong suits. Many times I will load right on the frame and start stitching a drawing there and then while I work, letting the design come as it may. This time, it’s all about the planning!
I put the tablecloth (roughly 36″ square) on top of a piece of Antique Gold, Dupioni silk. I buy my silk on Etsy from Fabric Supplier. They have great colors and it’s $15 a yard with free shipping. You can’t beat that! They usually ship within a day or two of ordering.
The first thing I do on the longarm is use my channel locks to square the tablecloth. This gives me a great frame to work within and I know it’s square. Linen fabric has a loose weave, so I can manipulate the fabric to make it square. Sometimes, I spritz some water to make it more manageable, but since that would remove my blue line work, I couldn’t do that. I was able to square it up very easily without the water.
At this point, I use my Notched Ruler to help stabilize areas of the linen. It nests nicely in my hopping foot for precision stitching around all the cutwork. You can see how this ruler works here in a YouTube video.
This gives you an idea of the kind of exacting work I can do with that ruler. I love the way the Dupioni silk shows through the cutwork!
I’m using one of my smallest rulers that I call the 1/2 Slim (1 1/2″ x 5″) to do most of the line work. It fits in my hand easily and I can move it quickly. Yes, my stitches are tiny too, 16 SPI (stitches per inch). When doing these tiny feathers and curves, small is best. I’m filling the areas with a scribble stitch to make the open areas really pop!
I couldn’t wait to see how this looked without the blue line, so I use a Q-tip dipped in my removal mix, to take away just a bit of the design. LOVE how this looks! My thread colors, you ask? Glide 40 weight thread, in colors Coffee and Cleopatra. I love the gold because it looks like metallic, but I don’t need to fight with that. Admittedly, I have struggled with using metallic threads, therefore, I don’t! 😉
This is what I have so far. I’ll post again at some point, but wanted to get the beginnings put to words so I could inspire you all to do this as well. Honestly, it’s not difficult, it’s just a process. As I tell folks, it just takes practice, as does riding a bicycle, learning cursive, playing an instrument, or anything we do well. It’s a habit that takes time and you can’t expect it overnight. If you want to be good at something, practice. Quilting is just that for me, something I love and want to do well!
You can also follow me on my Facebook page for daily posts. Enjoy your day folks, whatever you are doing!
I’ve done 3 live feeds on my Facebook page on quilting a vintage hankie. I’ve figured out how to take that to YouTube, so you can see how I start, design and then begin quilting on my longarm. I hope these help and inspire you to get started! I’ll post photos here when I finish, but if you want to follow the process, find me at Kelly Cline-Quilt Artist on Facebook for daily updates.
I sometimes get so busy making ‘stuff’, that I forget to either take photos or talk about it. I’m SOOO not a writer, but love my right brain, artistic tendencies! I could make things all day, all night, and really never sleep. Except, I love sleep!! 😉
I recently made this pillow for a class sample, using a random vintage block that I’m sure I picked up in a pile of other things at an antique shop. I did a quick sew on my domestic machine, just to put on an extra border and some rick-rack. The rest was done directly on the longarm.
I’ll take you through my steps and we’ll start from laying it out on the longarm. I’ve used a piece of muslin for the backing since it really won’t be seen when finished.
I used a tatted coaster for the middle. I had recently picked up a set of these and just LOVE the tatted edges. I start by using channel locks to square the piece on the longarm, horizontally and vertically. Makes for a great square ‘canvas’ to work inside. ***If you spritz a bit of regular water on your small piece, it can easily be manipulated and directed where to stretch!***
I like the grid stencils that Dorie Hruska sells and I always use a blue, water soluble pen to make my marks.*** Don’t let these get heat set or “sunshine” set before you remove them. My favorite mix is 1 cup of ice cold water with 1 heaping teaspoon of baking soda. Put this in a spray bottle and remove marks. They shouldn’t reappear.***
Once I had the quilting done on the front, I needed to quilt a backing. I like to use vintage tea towels or tablecloths for backing. Uses them up and they keep the piece in the era.
From this, to that!
I made my life easy and used a digitized computer design for an all over pattern. Stitched up in less than 5 minutes! I have a new, Handi Quilter Forte with Prostitcher computer, an upgrade from my 5 year old Fusion. Loved my Fusion, but maybe love the Forte more!
My favorite type of pillow is an envelope pillow. I’ll pop along the photos for a brief look at the process. Try looking for a YouTube video, I’m sure there are many!
I split the piece in half (it began about 4-5″ wider than my pillow top)
I turned under both edges for a finished edge, machine stitched.
Then overlap these two edges about 2-3″.
At this point you simply lay the right sides together, adjusting your backing to be the same size as your pillow top.
Take this sandwich of pillow top and back, pin the two halves together, and sew around the entire perimeter. You’ll be able to turn the pillow inside out by using the opening in the middle.
I also stitched 1″ inside the perimeter to have a nice flange around the pillow.
Here’s a flat look at the finished product! I usually make a stuffed muslin pillow specifically for the inside, using leftover batting scraps. Each pillow finishes in different sizes, so makes me not conform to specific pillow forms. This pillow is about 20″ square.
Here is the super cute backing!
So there you have it! Let me know if you have any questions, I’m always happy to help or guide you. I just love making things like this from forgotten or tossed out vintage parts and pieces. I always think someone is looking down and smiling over my shoulder. Have a great week folks!
They made it! I had a Facebook post from my good friend, Mary, to say they are hanging and beautiful. Look at that lighting! I’ll be there on Friday and Saturday just to see the 750 quilts hanging. For more information, visit the Common Threads Regional Quilt Show website. Holler if you see me!
I’ve worked my tail off to get to this week and finally I’m finished! My collection of vintage pillow covers from the early 1900’s, will hang at the Common Threads Regional Quilt Show, June 21-23, in Wichita, KS. I have a total of 21 in the collection, with many more to complete in the future. This is only the beginning! My husband asked me the other day how many I had. Really, you think a girl counts a collection!!? LOL!
My dear friend, Marla, helped me stitch tabs on each piece for pinning and hanging at the show. Here are a couple of my recent finishes.
Scroll through my website to see more in progress pieces. These are so dear to me. When I quilt them, I can almost feel the original maker working the original embroidery. Hope to see you in Wichita. Holler if you see me walking the aisles!
I’m always asked at a trunk show, “Kelly, what do you plan to do with your pillow covers?” The answer is, show them and share them! I’m obsessed by these beauties! I’ve been collecting them since I found my first Kansas pillow cover about 5 years ago. I can’t really tell you how many I have now because honestly, I don’t know! I’m guessing somewhere between 50-100, ready to be quilted.
They will be seen for the first time in their entirety at the Common Threads Quilt Show, in Wichita, KS, June 21-23, 2018. I’m hoping to have 20-25 in the collection. I’m madly working on them until that show, so we’ll see how far into the stash I can get. This is what the banner looks like that I ordered on Vistaprint. I love how it turned out! But………..
Apparently, they are sending this gentleman to hold the sign at the show!! I’m totally excited about that! Isn’t that kind? Unfortunately, he didn’t show up in the banner shipment. Maybe I need to make a call?
Here are a few more I’ve finished this year and I’ll continue to stitch until they need to travel to Wichita. I’ll be there hanging out with friends, so look me up if you attend the show. They will have 750 hanging quilts!!! I can hardly wait to go. It’ll take me 2 days just to get through those quilts. Enjoy!!
This weekend, Saturday, April 7 and Sunday, April 8, is my guilds quilt show, Kaw Valley Quilters Guild. I’ve finished a fabulous hankie to put in the silent auction. I’ll share a few pictures from the process, beginning to end result. I’ll admit these pieces are hard to give up once they are finished!
This beautiful hankie is bordered with exquisite lace. I couldn’t resist re-purposing this one!
I started with my backing, then 2 layers of Hobbs 80/20 Heirloom, and a piece of satin on top, about 20″ square.
My first order of stitching is to “ditch stitch” on the inside edge of the lace. This gives me a ‘frame’ to work with.
I use this Kelly Bean, notched ruler, to work around any shape or embroidery. Only on a longarm, just nest your hopping foot in the notch. Use one hand on your handle and the other to move around the ruler and hopping foot, magic!!
I love to use Cindy Needham’s Ultimate Stencils for designs in negative spaces. She has a fabulous E-book to go along with the stencils which I highly recommend. You can start to see the design take shape in the following photos.
At this point I have finished all of the inside quilting. I leave the lace loose and will use beads to tack down where needed. Lace lends itself nicely for embellishment!
I usually choose a simple piano key border. It calms your eye and doesn’t take away from the focus of the lace.
I love handwork of any kind and can spend countless evenings, watching TV and stitching. This piece required 3 solid nights of handwork. I used glass beads, pearls from a broken vintage necklace (my preference), and the tiniest of Hotfix Swarovski crystals. I like the glimmer, but I also want it to be subtle.
I love to frame these pieces or make into a pillow. With the heavy amount of beading, I decided a frame was in order!
You can find this on the silent auction block, this weekend, in Lawrence, KS. Here’s the flyer. It doesn’t say Lawrence, but it tells you everything else. Hope you can make it if you live in the area!
I love to find these beautiful, vintage pillow covers. They tend to be about 100 years old and created in the early 1900’s during an era called, Society Silk. Many of these use silk floss and came in a kit with a pre-tinted linen, just as our kits come today. What makes these very special to me are the quirky sayings and silk threads that were used. I quilt these on a Handi Quilter Fusion, longarm.
This the the original cover. I removed the backing, which was a depression era, green linen.
I’m pretty sure the maker would be mortified if she knew she missed a spot. The magenta stitch is hers, the satin stitching would have gone over it to give some padding.
When placing designs on cloth, I use a blue, water soluble pen. I only make registration marks and try to do the smallest bit of them. A great tip for removing the blue marks, mix 1 heaping teaspoon of baking soda to one cup of water. Put in a spray bottle and marks disappear, forever! At least I’ve had no reappearing marks since I’ve used this method!
I usually don’t have a big plan for these pieces until I begin them. I let them ‘talk’ to me while I stitch and they usually SCREAM at some point! 😉
I use my rulers for all straight lines. The longer one is great for ditch stitching and long runs and then the smaller, Palm ruler, is super for short lengths.
The maker on this piece did some luscious embroidery!
I use these notched rulers for guiding me around the embroidery.
Viola’! Another great finish! I adore these pieces and hope you’ve enjoyed the beauty and re-purpose also!