I needed a cutting template that I could find AND was the right size for cutting my pincushions. I had one made! This acrylic ruler in lime green is a great hand size, 4″ x 10″. It’s 1/8″ thick for cutting, not for quilting ruler work like most of my rulers.
I work on a small cutting table and mat next to my machine, so this fits nicely on the cutting mat. Most pincushions are between 3″ and 7″ in size and this manages to cover those cuts. Find it in my online shop for $15. https://kellyclinequilting.bigcartel.com/product/4-x-10-quilting-template
You can see here how I create that little pincushion top. I’ve piece it ‘crazy quilt’ style and then square it to my liking. If you’ve been waiting for my online pincushion class, you can find it here. https://createyourownvintagepincushion.thinkific.com/
Now, let’s talk about scraps, FEEDSACK scraps in particular! I’ve just returned from 4 days on the road, between Kansas and Tennessee, stopping at most antique stores along the way. Did you know that antique shops are probably the safest places to go right now? There are not many folks in them and masked up, I feel very safe. FYI, they are also the best restroom stops along the highway!! Again, no one using them! OK, now you know my secrets.
Anyway, I bought about 30 feedsack bags and was able to buy duplicates of quite a few. Due to requests and popular demand, I’ve cut up loads of scraps and squares and I’m offering ‘feedsack scrap bags’ in my shop as well. They sell out fast, but I load at least 5-10 everyday. Check back if you don’t see them in stock. Each bag is a variety and will change with each posting. https://kellyclinequilting.bigcartel.com/product/feedsack-scrap-bag
Maybe my favorite shop of all time is Artichoke Annie’s Antique Mall, on the east side of Columbia, MO. I find loads of antique linens and feedsacks here on a regular basis, it’s only 2 hours from me and I can get there maybe every 2 months or so. Many of the feedsacks I’m sharing came from this booth! How lovely is this photo!!?
I have also been trying to organize and do some purging in my studio and closets. Collecting linens and quilt tops for years has given me way too much, so every now and then you’ll find treasures I’ve picked up along my journey in the online shop. I am parting with things I know I’ll never use and hopefully some of you will benefit from my travels and collecting (cough, cough…hoarding) adventures. https://kellyclinequilting.bigcartel.com/products
Have a great weekend everyone. I hope you can find some time for sewing or quilting amongst the leaf gathering. I know I’ll be doing some of that task this weekend. Enjoy the beauty of fall if you have it where you live!
I love the word NIFTY, and these notched rulers are just that! I use them for precision stitching around embroidery or applique. You can always use the code LOVE10 in the discount box at checkout for 10% off all the products I sell. You’ll find all my rulers, for longarm and domestic machines, plus, Schmetz needles for the longarm only, here in my online shop.
I also keep a YouTube channel with various tutorials. Here is one of my favorites, showing how I use the Notched Ruler to go around applique. I think it’s the music I chose that makes me like it so much. 😉
This was a bed pillow I made for my granddaughter, Juniper, a few years ago. She loves to find treasures, so I put a special fabric envelope on the back with velcro, so she could put small treats inside to hide.
Once I quilted it on the longarm, then I simply put right sides together and stitched up a quick pillow. The buttonhole stitch around her name probably took me the most time, but I love the look!
Have a great day everyone! Don’t forget the code LOVE10 in the discount box at checkout. https://kellyclinequilting.bigcartel.com/products
I’ve got a really fun project on the longarm this week, compliments of Mary Kerr. This is for an upcoming book of Mary’s, but you’ll have to wait to see the whole quilt until the book is published, so sorry!! These blocks can be shown though! Mary has such a knack with taking old blocks and repurposing them with other parts and pieces. Check out her other books here on her website. https://www.marywkerr.com/ They are all fabulous with loads of ideas on what to do with vintage quilts, embroidered linens, tops, blocks, etc.
This was the beginning of a block. I did a small bit of ditch stitching to stabilize the center and used the Kelly Bean ruler to make the ‘rays’ in the yellow and also to stitch around the center. FYI, that circle center is stitched in, not appliqued!! Whoa, I know!!!
I’ll continue with lots of ditch stitching and ruler work for a few days, then I’ve got an idea for that pink background. We’ll see how that goes, maybe next week I can share that!
I did a quick video this morning with rulers on one of the blocks. Have a great day and I hope you’ll try ruler work, on your domestic or longarm machine, it’s super fun!
I’ve had this top for awhile, maybe 2-3 years, but the mood to quilt it finally hit me early this week and it went on the frame! The appeal is the 2″ bow ties. Can you even imagine piecing this one, by hand?!!
YES, the back of a hand pieced top can be overwhelming. How would you ever press this? Well, I don’t do it from the back, that’s for sure. However, this one has been precisely pieced and was done well. Each one of those little pieces is about 1″ in size, finished. Honestly, I can’t imagine!!
I never press these from the back. I gave this a good press from the top, not concerning myself about direction of seams because there really is no way to properly press those from the backside. I do give it some starch and try to make it as flat as possible.
I ‘float’ all my quilts, which means I don’t attach them to the bar that is sitting on the top. Many times, people will pin their top to that leader and bar, but I like the ability to manipulate my tops, especially the hand pieced ones. I am constantly tugging gently, spraying some starch and steaming here and there to shrink the excess fabric. I find I can get the best results by keeping the top free. You can see the starch and steam trick on my YouTube channel. https://youtu.be/In79vxH-IyY
I’ve chosen to put a swirl in the white spaces and simply ditch stitch around the bow ties, hoping to pop those shapes and fabrics without interruption. Small stitching will create the best curves, so I am stitching at 14 stitches per inch. This is also a continuous line of stitching. No need to break thread if you don’t need to. I try to get through most quilts without cutting threads, unless of course, there is a color change. It saves LOTS of time and thread burying, which I do with all thread tails.
I did a quick video on how I travel through these pieces. It’s all about looking ahead, getting a quilt path figured out. This always reminds me of the puzzle mazes on paper that I loved as a kid!
The rulers (for domestic OR long arm) can be found in my shop online. I use different lengths and shapes, depending on the work I’m doing. https://kellyclinequilting.bigcartel.com/products
I decided to only ditch stitch the blue and white squares, hoping they would create a frame around the bow tie blocks. I really want those bow ties to pop out and be the stars. I think they are!
You may ask what those red things are in the top of the photo. I use Red Snappers (https://quiltsonthecorner.com/red-snapper-12/ ) from Renae Haddidin. I actually ordered them way before I even had my long arm set up, 8 years ago. I knew I would never be a pin girl, so snappers are a clamp type set up. I can pull a quilt off and put it back on in a matter of minutes.
This is the look of a finished row. Walking away from the quilt at night really has a great look. I only have a few squares left to finish and then I can do the big TA DA!!! I always look forward to that!
Feel free to ask questions. I post daily on my Facebook page, so follow me there for progress. Have a wonderful day everyone!
I’ve got a new project on the frame, it’s a vintage cutwork tablecloth. I actually went at this a little backwards because I saw a fabulous design by Telene Jeffrey, AKA Lady Jane Quilting. Telene is a phenomenal quilter and designer and has just published a few of her designs that can be purchased in PDF form. I knew I had to have one immediately when I saw her post these on her Facebook page. This is the one I chose. When you purchase them, they come to you in a PDF file (these are not digitized designs) and you have the freedom to enlarge or reduce as you wish. Telene gives very specific directions, once purchased, on how to do this.
I didn’t want to spend time changing the size of the design, so in my lazy way I picked a tablecloth that would fit the print out! Yup, that’s how I roll!! If I wasn’t so anxious to start quilting, I might have taken that time, but I didn’t. I printed out the quadrant that she provides and decided my best light box would be my glass kitchen table. If you don’t have a glass table, tape your design to a window or door, it works great too! I put a lamp, without the shade, under my table and voila, a very large light box!
I spent the afternoon tracing the design, a quadrant at a time. Once I had half of the design traced, I flipped the entire half over and then traced the other half. I used a blue water soluble pen for the marking. Any brand will do. To remove when finished, I use a mix of 1 heaping teaspoon of baking soda, dissolved in 1 cup of ice cold water. I’ve been told that this mix changes the PH of the pen and it’s always worked for me. Do NOT let an iron or heat touch this until you have removed the markings. Heat will permanently set the markings, yikes!!
I printed out one detailed section and one with just the base lines, this way I could get an idea of the spacial relationships AND I wouldn’t need to refer back to her drawings when I started quilting. Telene said feel free to change fills, etc., but I really want it just like she designed.
This may be the biggest ‘chore’ for me. I’m always so anxious to get started that planning and drawing are not my strong suits. Many times I will load right on the frame and start stitching a drawing there and then while I work, letting the design come as it may. This time, it’s all about the planning!
I put the tablecloth (roughly 36″ square) on top of a piece of Antique Gold, Dupioni silk. I buy my silk on Etsy from Fabric Supplier. They have great colors and it’s $15 a yard with free shipping. You can’t beat that! They usually ship within a day or two of ordering.
The first thing I do on the longarm is use my channel locks to square the tablecloth. This gives me a great frame to work within and I know it’s square. Linen fabric has a loose weave, so I can manipulate the fabric to make it square. Sometimes, I spritz some water to make it more manageable, but since that would remove my blue line work, I couldn’t do that. I was able to square it up very easily without the water.
At this point, I use my Notched Ruler to help stabilize areas of the linen. It nests nicely in my hopping foot for precision stitching around all the cutwork. You can see how this ruler works here in a YouTube video.
This gives you an idea of the kind of exacting work I can do with that ruler. I love the way the Dupioni silk shows through the cutwork!
I’m using one of my smallest rulers that I call the 1/2 Slim (1 1/2″ x 5″) to do most of the line work. It fits in my hand easily and I can move it quickly. Yes, my stitches are tiny too, 16 SPI (stitches per inch). When doing these tiny feathers and curves, small is best. I’m filling the areas with a scribble stitch to make the open areas really pop!
I couldn’t wait to see how this looked without the blue line, so I use a Q-tip dipped in my removal mix, to take away just a bit of the design. LOVE how this looks! My thread colors, you ask? Glide 40 weight thread, in colors Coffee and Cleopatra. I love the gold because it looks like metallic, but I don’t need to fight with that. Admittedly, I have struggled with using metallic threads, therefore, I don’t! 😉
This is what I have so far. I’ll post again at some point, but wanted to get the beginnings put to words so I could inspire you all to do this as well. Honestly, it’s not difficult, it’s just a process. As I tell folks, it just takes practice, as does riding a bicycle, learning cursive, playing an instrument, or anything we do well. It’s a habit that takes time and you can’t expect it overnight. If you want to be good at something, practice. Quilting is just that for me, something I love and want to do well!
You can also follow me on my Facebook page for daily posts. Enjoy your day folks, whatever you are doing!
I am frugal and I rarely buy fabric. I collect vintage, mid-century tablecloths and they have stacked up. A few years ago, I was at a loss for a quick backing, so I thought ‘why not use one of these tablecloths”? I did and it’s now my favorite backing! Last week in that, IT’S AFTER CHRISTMAS AND I GOTTA ORGANIZE SOMETHING mood, I started in on my vintage tablecloths to put some order to the mess. When I saw these beautiful colors, I HAD to create a top to go with it, of course! I set out to quickly cut some appropriate blocks from my stash and thought I’d whip up a simple 4 patch quilt. Well, the top grew, then I had to add borders to the tablecloth, then border the top. Each kept growing and finally I was ready to quilt the whole thing.
I sure didn’t mean for this to be a week long project, but it quickly “asked” for more! I never know what a quilt will be until it goes on the longarm frame. They start talking back once they arrive!
I further complicated my quilting life by adding this flange. Super cute I thought when I was sewing, but a bit of a pain in the you-know-what once I started quilting! This required lots of ditch stitching and ruler work. Thankful for my favorite 9″ Slim Ruler to make this job enjoyable! Honestly, I do love ruler work.
This quilt is a mix and match of a computer digitized motif and free motion quilting. The white blocks are done with the Handi Quilter Pro-Stitcher computer. The 4 patch blocks and outer borders were done with rulers and free motion quilting.
I love this double sided curvy ruler by Jane Hauprich. You can order it on her website.
A quilted top begins to take on a personality, if you can call it that, very quickly. At the end of a day I stand back and take it all in. Something about that texture is just exciting to me!
Probably the best part of the adventure is the end! I flip it over my back rail to get a good look at my stitching. I’ve learned over time to take a moment and study it all. There is nothing worse than taking a whole quilt off the frame and then realizing you missed a spot and have to put it back on, UGGGHHHH!!! Isn’t she a beauty!!!
Much better to see in natural light! I always take my photos in front of my front door, snapping the photo TOWARD the light. You get incredible shadowing over your quilt this way and don’t we want to show that off?!!
Details on this quilt…….55″ square, Hobbs 80/20 batting, and Glide thread. I quilt on a Handi Quilter Forte with Pro-Stitcher, new to me this year. Before that, I quilted on a Handi Quilter Fusion. I love this new machine with all it’s bells and whistles! The digitized design is called Serenity, by Christy Dillon, My Creative Stitches is her website.
The question I keep getting most on my Facebook page page is, “how did you center the back to the front?” The real answer is, I don’t know!! Really, I did a quick eye ball and then winged it! I know, not very helpful, but I figured it would end up as a kids’ quilt and they really aren’t too picky. Where WILL this go, you ask? I’ve added it to my trunk show collection for a great, ‘use a tablecloth’ example. I hope you’ve enjoyed this quilt as much as I have! Enjoy your day folks!
I’ve done 3 live feeds on my Facebook page on quilting a vintage hankie. I’ve figured out how to take that to YouTube, so you can see how I start, design and then begin quilting on my longarm. I hope these help and inspire you to get started! I’ll post photos here when I finish, but if you want to follow the process, find me at Kelly Cline-Quilt Artist on Facebook for daily updates.
I sometimes get so busy making ‘stuff’, that I forget to either take photos or talk about it. I’m SOOO not a writer, but love my right brain, artistic tendencies! I could make things all day, all night, and really never sleep. Except, I love sleep!! 😉
I recently made this pillow for a class sample, using a random vintage block that I’m sure I picked up in a pile of other things at an antique shop. I did a quick sew on my domestic machine, just to put on an extra border and some rick-rack. The rest was done directly on the longarm.
I’ll take you through my steps and we’ll start from laying it out on the longarm. I’ve used a piece of muslin for the backing since it really won’t be seen when finished.
I used a tatted coaster for the middle. I had recently picked up a set of these and just LOVE the tatted edges. I start by using channel locks to square the piece on the longarm, horizontally and vertically. Makes for a great square ‘canvas’ to work inside. ***If you spritz a bit of regular water on your small piece, it can easily be manipulated and directed where to stretch!***
I like the grid stencils that Dorie Hruska sells and I always use a blue, water soluble pen to make my marks.*** Don’t let these get heat set or “sunshine” set before you remove them. My favorite mix is 1 cup of ice cold water with 1 heaping teaspoon of baking soda. Put this in a spray bottle and remove marks. They shouldn’t reappear.***
Once I had the quilting done on the front, I needed to quilt a backing. I like to use vintage tea towels or tablecloths for backing. Uses them up and they keep the piece in the era.
From this, to that!
I made my life easy and used a digitized computer design for an all over pattern. Stitched up in less than 5 minutes! I have a new, Handi Quilter Forte with Prostitcher computer, an upgrade from my 5 year old Fusion. Loved my Fusion, but maybe love the Forte more!
My favorite type of pillow is an envelope pillow. I’ll pop along the photos for a brief look at the process. Try looking for a YouTube video, I’m sure there are many!
I split the piece in half (it began about 4-5″ wider than my pillow top)
I turned under both edges for a finished edge, machine stitched.
Then overlap these two edges about 2-3″.
At this point you simply lay the right sides together, adjusting your backing to be the same size as your pillow top.
Take this sandwich of pillow top and back, pin the two halves together, and sew around the entire perimeter. You’ll be able to turn the pillow inside out by using the opening in the middle.
I also stitched 1″ inside the perimeter to have a nice flange around the pillow.
Here’s a flat look at the finished product! I usually make a stuffed muslin pillow specifically for the inside, using leftover batting scraps. Each pillow finishes in different sizes, so makes me not conform to specific pillow forms. This pillow is about 20″ square.
Here is the super cute backing!
So there you have it! Let me know if you have any questions, I’m always happy to help or guide you. I just love making things like this from forgotten or tossed out vintage parts and pieces. I always think someone is looking down and smiling over my shoulder. Have a great week folks!
This weekend, Saturday, April 7 and Sunday, April 8, is my guilds quilt show, Kaw Valley Quilters Guild. I’ve finished a fabulous hankie to put in the silent auction. I’ll share a few pictures from the process, beginning to end result. I’ll admit these pieces are hard to give up once they are finished!
This beautiful hankie is bordered with exquisite lace. I couldn’t resist re-purposing this one!
I started with my backing, then 2 layers of Hobbs 80/20 Heirloom, and a piece of satin on top, about 20″ square.
My first order of stitching is to “ditch stitch” on the inside edge of the lace. This gives me a ‘frame’ to work with.
I use this Kelly Bean, notched ruler, to work around any shape or embroidery. Only on a longarm, just nest your hopping foot in the notch. Use one hand on your handle and the other to move around the ruler and hopping foot, magic!!
I love to use Cindy Needham’s Ultimate Stencils for designs in negative spaces. She has a fabulous E-book to go along with the stencils which I highly recommend. You can start to see the design take shape in the following photos.
At this point I have finished all of the inside quilting. I leave the lace loose and will use beads to tack down where needed. Lace lends itself nicely for embellishment!
I usually choose a simple piano key border. It calms your eye and doesn’t take away from the focus of the lace.
I love handwork of any kind and can spend countless evenings, watching TV and stitching. This piece required 3 solid nights of handwork. I used glass beads, pearls from a broken vintage necklace (my preference), and the tiniest of Hotfix Swarovski crystals. I like the glimmer, but I also want it to be subtle.
I love to frame these pieces or make into a pillow. With the heavy amount of beading, I decided a frame was in order!
You can find this on the silent auction block, this weekend, in Lawrence, KS. Here’s the flyer. It doesn’t say Lawrence, but it tells you everything else. Hope you can make it if you live in the area!
I love to find these beautiful, vintage pillow covers. They tend to be about 100 years old and were created in the early 1900’s. Pillows became trendy about 1907, so many began to appear about that time. Many of these use silk floss and came in a kit with a pre-tinted linen, just as our kits come today. What makes these very special to me are the quirky sayings and silk threads that were used. I quilt these on a Handi Quilter Fusion, longarm.
This the the original cover. I removed the backing, which was a depression era, green linen.
I’m pretty sure the maker would be mortified if she knew she missed a spot. The magenta stitch is hers, the satin stitching would have gone over it to give some padding.
When placing designs on cloth, I use a blue, water soluble pen. I only make registration marks and try to do the smallest bit of them. A great tip for removing the blue marks, mix 1 heaping teaspoon of baking soda to one cup of water. Put in a spray bottle and marks disappear, forever! At least I’ve had no reappearing marks since I’ve used this method!
I usually don’t have a big plan for these pieces until I begin them. I let them ‘talk’ to me while I stitch and they usually SCREAM at some point! 😉
I use my rulers for all straight lines. The longer one is great for ditch stitching and long runs and then the smaller, Palm ruler, is super for short lengths.
The maker on this piece did some luscious embroidery!
I use these notched rulers for guiding me around the embroidery.
Viola’! Another great finish! I adore these pieces and hope you’ve enjoyed the beauty and re-purpose also!