I’m often asked if I have videos to show how I’m doing a technique. I keep saying I’ll get a GoPro, but for now, my phone is quick and easy. Thanks to Leanne, whose quilt I am using to share some ruler work. Here are a couple of new clips on using my rulers.
YES, I’ve added a new ruler to my collection this week! I never know I need a new one, until I try to do a design and start thinking about how it could be easier. This time, I wanted to create a curve that was equally convex AND concave, so I don’t have to contort my body to do a design like the orange peel. You can watch my quick YouTube video to see how I use this ruler on my domestic machine. I’ll get one up shortly for a demonstration on the longarm.
Here is the order page for the Kelly Bean and my other rulers. I will try to get some tutorials made on how I use these very soon! Have a great quilting day!
Good morning! I’m often asked where I’ll be speaking. Unfortunately, I don’t have a calendar on my website (need to add!) and I’m not terribly organized in the paperwork department 😉 HEY, I just want to quilt all day!
Here are a few places I will be in the upcoming months. On October 17, I will be doing a lecture, trunk show, and demo at A1 Sewing Center, in Wichita, KS. Later that evening at 7 pm, I will be in Pratt, KS, to speak at the Pratt Area Quilt Guild, 619 N. Main. October 13, at 7 pm, I’ll be in Grand Island, NE, at the Prairie Pioneer Quilters guild, held at St. Leo’s Catholic Church. That next morning, October 14, I’ll be in a private home for a group demo (email me if you are interested).
November takes me to Tampa, FL, for a big, week long event. Here is the flyer and you can contact Melissa for more information and for sign up.
After this I have a couple months of break to work on my own big project. The big start of 2017 for me is Australia in February!! YES, that’s right, I’ll be teaching for Handi Quilter Australia! I am super excited and a bit star struck with all the fabulous quilters that will be presenting and visiting.
That’s it for now. I hope I’ll meet you somewhere on the quilt road!
I have TUBS of linens and embroideries! One of my good friends, Shelley, mailed me this linen she found in an antique store recently. This did not get to the tub! I was compelled to stitch it the day I got it, but oogled over it for a few weeks before loading on the longarm. Originally, this was a 100ish year old pillow cover.
Having found a few of these, they date somewhere between 1900-1920. They were pre-printed/tinted pillow covers and were dyed in the areas where you would stitch. Some ladies chose to embroider the whole area, while others did smaller areas, leaving some of the printed colors showing. A few companies that produced these were Richardson’s, Royal Society and Vogart. I love when the selvage has the name of the maker as it can also give me clues to the date of the embroidery. This one did not have that information.
This treasure had quite a few stains when I received it, but I’m never bothered by smell or stains as I’ve experimented plenty with great results. My favorite cleaner is called Retro Clean. It is a powder that is dissolved in warm water for best results. You can find it in antique shops and quilt stores, also on the internet. I soaked this piece for 24 hours and it sparkled when it dried! The heavy stains were gone and it brightened the linen considerably.
I always begin by basting around the edge of the entire piece. I work like that is my frame. Then I stitch around all of the embroidery, as you would stitch in the ditch around applique. I use my very favorite palm size ruler to use as resistance against the hopping foot to guide the machine.
Once I have all of the outlining done, the fun begins! I did a very small fill in the center and the outside felt like it needed some flowing feathers to move with the stalks of what I think may be milo. I’m pretty sure I created the movement I wanted.
I always begin with what the linen is “telling” me. They don’t all speak the same way, but I definitely get a feeling from each one. The density of the knots (called Colonial knots) made me start with the pebbles and spirals in the center. The trapunto effect was caused naturally by using two layers of batting, 80/20 Hobbs Heirloom on the bottom and 100% Hobbs wool on top. This double batting will cause some drag on the machine when starting, but the effects are dramatic!
I made sure to work the feathers into the same direction as the stalks of milo. Beginning with a spine to follow that line, I worked the feathers right up to the original embroidery.
What was I thinking when I made a 1/2″ grid! It was a bit tedious, but the end result is fantastic! This ruler is so great for small areas. For design purposes, I often balance straight lines and circular forms. You don’t want too much of anything!
I can’t decide which is my favorite, the checkerboard or the feathers!
AAAAAAND the almost finish! I can’t ever wait to share these things, so no binding yet. For traveling purposes, I’ll put a tiny binding on so it lays flat in my suitcase! Have a fabulous weekend folks!
I LOVE these unique pieces of handwork! I found this one at D. Palma & Co. Mercantile last weekend and I just had to get it on the frame!
This style of lace is called Teneriffe. I sent a quick note to Mary Corbet, Needle ‘N Thread, who was a doll to identify this for me. I’m always concerned with correctly identifying handwork. I visited YouTube to see how this is done and WOW! Amazing!
The lace piece is about 10″ square. It’s so delicate, which intrigued me when I saw it. I did my best to press and give it a good starch. Those circle laces were rather loose, so they took a bit of moving, stretching and starching, to get them to behave!
My favorite background these days is satin! On this particular piece I used a double batting of Hobbs 80/20 on the bottom and 100% Hobbs Wool on top. You’ll see this gives some great loft to this piece. I stitched around the perimeter of the inside square first.
Next, I stitched around the outside edge, outlining around all of the lace circles. My hand gives you an idea of size.
Once I have all the outlining and edges stitched down, I start the design process.
I added a “piano key” border with my longarm ruler.
Beads and rhinestones add the finishing touch!
I love this quilt, designed by Jenifer Dick. It was quilted last year and she will be teaching this quilt and others next year at the Road to California show. See her website for more details.
Simple quilting for a simple, yet powerful message.
Only ruler work on this quilt! Thankfully, I LOVE ruler work!
Have a wonderful weekend, be kind.
Many times a quilter needs to keep a quilt “under wraps”. I’m good at it, but it’s probably the worst part of my job! I have learned to quilt a top, then absolutely forget about it. This quilt is a prime example! Quilted for Mary Kerr’s latest book, “Twisted: Modern Quilts with a Vintage Twist”, it’s at the top of my favorites list!
In this book, Mary takes abandoned blocks and vintage fragments, then incorporates them into modern settings to create one-of-a-kind quilts. She then sent them off to longarmers across the nation, with no rules, to finish them as they desired. This book is a wonderful collaboration of many talented quilters. I am thrilled to be a part of this group!
Mary asked everyone to send pictures as we worked, so there are progress pictures from each quilter. We also shared our reasons why we quilted it a certain way or what inspired us. My ideas originated from a dream I had about the quilt! It has to do with “stirring my coffee”, hence, the appropriate title!
This top was very simply created. Mary used vintage Dresden Plates and treated them as applique on white fabric. I was thrilled I had taken a photo of the original top right from the box! I must have stared at it for a month, all that white space!!! I had so many ideas of complicated background designs. Then, I realized the simplicity of this quilt was just that, KISS……..keep it simple, sister! Thankfully, I had a dream. I was stirring my coffee, and the cream would NEVER stir in. It was making me crazy; but in the morning, I knew this had to do with swirls on those Dresden Plates. I got started right after that dream!
I used various swirls from my ProStitcher computer on my Handi Quilter Fusion long arm. The lines were created using the channel locks on the machine. My greatest feat was creating the half circle swirl in the largest area of the quilt.
You can see the texture on this quilt is outrageous! Trust me, I wanted to keep touching it; and I did, right until I packed it up. The back is just scrumptious texture!
One last closeup on the swirl. I used Glide, white thread, and two layers of batting, Hobbs 80/20 on the bottom and Hobbs 100% wool on the top. If I know a quilt will be in a show or photographed for a book or magazine, I will use double batting. You can see from my pictures that it’s automatic trapunto, without the work!
NOW, if you enjoyed this story, there are 21 other stories in this fabulous book that are must reads! You can order it directly from Mary on her website. Have a wonderful holiday weekend!
This is a small project I’m doing for a friend. She will be doing a giveaway next month and I’ll be sure to report back and show the final piece when she’s ready! You may want to follow Stephanie Palmer at Late Night Quilter 🙂
When I say small, I mean the linen was tiny! All of 5″ square. I almost didn’t choose this piece, but I’m glad I did. This was a drawn threadwork coaster. I used a satin backing and placed the linen in the middle.
I used my rulers for the piano key border before I began the inside work.
I stitched an inside line, then pinned back the outer edge so I could finish the border.
Once I have the border finished, I start the work on the inside. I also put a shiny little piece of costume fabric underneath the linen. It’s amazing what a tiny bit of sparkle will do for one of these pieces!
I’ll add a few beads, mat and frame this piece. I’ll be sure to show you the whole thing when I can! Until then, happy quilting!
One of my most recent favorites! This began as a 100 year old pillow cover. Lovingly embroidered, most likely by a woman from Iowa. Because, only a lover of her state, would spend the time embroidering kernels of corn! OH MY GOSH, I love this piece! It was stunning in it’s original state, but of course, I took it to a whole new level.
These early patterns were color tinted, so the embroiderer could decide what parts they would like to stitch and could choose more or less embroidery. I’ve seen some that are very heavily stitched and some that have only been outline stitched. This is the way I found it, a little wrinkled and a few aging stains. I chose not to soak this one as I really didn’t know what might happen to the floss. I recently had soaked a piece in Retro Clean, which I consider very safe. I had also put Shout, Color Catchers, in the water. I still had bleeding from the brown floss. I sure couldn’t take a chance on this beauty!
When working these old patterns, I also remove this tiny edge with the pattern name and number, then attach it to the back when I’m finished.
Mostly, when I quilt a piece like this, I know what I’m going to do and the designs are free flowing. This one was different and seemed to need a plan. I have a few different methods for auditioning designs. I used Handi Quilter’s Preview Paper. It comes in a roll with a dark black line, so you don’t accidently take your design over the edge and onto your fabric. I use a black sharpie so it’s fast drying, then rubbing alcohol to wipe the slate clean.
I always start a piece like this by outlining the entire design. It stabilizes and sets the boundaries for me to start the background work. I used two layers of batting on this piece, 80/20 Hobbs on the bottom and 100% Hobbs wool on the top. This makes for an easy trapunto look without all the work. I also stitched inside the original embroidery and chose to go around each and every kernel of corn for some fabulous dimension!
And there you have it! Finished piece is 20″ square. All free motion quilted. I always hope the original maker would be thrilled with what I have done with her work. I think she would!
YES, it can be done! I learned this method from a wonderful class with Sharon Schamber. You can use starch and heat to reduce wobbles and waves from any quilt top, border, or block! I did this last week with a beautiful, vintage top. The quilt was machine pieced and hand appliqued in the blocks.
This is what the block looked like before I created the magic! There was at least 2 inches of extra fabric in the center. After I sprayed the block and ironed, it was almost flat. I was able to start stitching at this point with NO WRINKLES OR CREASES!
The final block looks like it was perfectly flat to begin with!
As usual, I used my favorite quilting rulers for lots of ditch stitching on this quilt.
Now, if you’re still wondering how this whole starch and shrink thing works, watch this quick video. I learn by watching, so I hope the visual helps you too!