I LOVE this quilt by Victoria Findlay Wolfe! It is currently being exhibited at the Festival of Quilts in the U.K. The exhibit is called, “Victoria Findlay Wolfe:Traditions Made Modern”. I’m so excited for Victoria and the adventures she is having. How cool to have an entire exhibit with your name on it!!! You go girl!!
I quilted this quilt for her last summer and had forgotten about it until it showed up in my Facebook feed this morning! What a surprise! It’s hanging in Birmingham, UK, August 10-13. I hope some of you will be visiting what looks to be a fabulous show!
Victoria and I met a few years ago when she visited my quilt guild in Lawrence, KS, and also did a workshop. I typically sew the way she does, improvisational and never follow a pattern! I loved her workshop and always try to get in ’15 minutes of play’ when I’m home and near my machine.
She had asked me to quilt this quilt in the spirit of artist, Matisse. I had SO much fun with each area, using bits and pieces from his artwork.
It’s such an interesting quilt and you’ll need to see it close up to really understand the Matisse influence.
There was an incredible amount of ruler work on this one, but then again, I LOVE ruler work, so WIN WIN!!
I hope you will get to see this in person one day. It’s just fun! Have a lovely weekend folks, especially those of you attending the Festival of Quilts.
Just what you’ve asked for and so many have waited for! Finally, a video that shows you how I approach quilting vintage linens on the longarm. Thanks to Handi Quilter, who recently filmed a 45 minute segment on this process. I hope you enjoy the episode and don’t hesitate to ask questions. If you are interested in my rulers or lectures/workshops, find those tabs for more information. Thanks for visiting!
While teaching and traveling in Australia this last February, I was given quite a few lovely pieces of handwork and Aussie fabrics. I have them all hanging in my studio and a few weeks ago I was inspired to create something special with two of the pieces.
On my longarm I have a backing, then Hobbs 80/20 batting, then the super cute, Koala background fabric. At this point, I ran an edge to edge design over the background fabric, THEN, laid the two doilies on top of the fabric.
Let’s start at the beginning and I’ll take you through the process. Under each linen I added a single layer of Hobbs 80/20 batting to give an extra loft. It also hides the print that is under the doily. I cut the batting larger than the doily and trim it away after I have quilted the linen.
I stabilize the piece by “ditch” stitching around the inside edge of the crocheted trim. I leave that scant 1/8″ so that I can trim away the batting later. You’ll see what happens when I finish quilting. I quilt on a Handi Quilter Fusion and here I am using the “Glide” foot. It is almost a necessity when stitching lace and embroideries. You can see it glides right over all the thickness.
At this point I will stitch around ALL the embroidery. I never stitch over the handwork, but around everything! It gives the piece great definition and pops it right out of the linen. Deciding on the design usually comes as I am outlining all of the embroidery. You can see the spine I have created for the eventual feathers. I like to use a blue, water soluble pen for marking. (TIP: to remove blue marks completely and seemingly forever, mix 1 t baking soda to 1 cup of water, place in a spray bottle. This mix must be fresh each day it is used.)
I trimmed the batting to the inside edge of the trim crochet, using a curved pair tiny, sharp scissors. My favorites are a simple pair of cuticle scissors!
After the batting is trimmed, I lay down the crochet and stitch the outside edge to cover any of the batting that might have not been precisely trimmed. It always covers that raw edge of batting.
You can see here how much stitching I put into the embroidery.
The full piece was taken off the frame and split in half, therefore, creating both sides for the tote bag. I made both sides a bit different. I also TEA stained the pieces once I had the quilting done to make the fabric match the age of the linen. This really made the whole thing come together!
Next, I sewed the halves together and also made a lining WITH a pocket for the inside.
Handles were added, also tea stained.
And there you have it! A new tote bag made by repurposing an antique linen. It’s also a fabulous reminder of the great friends I made in Australia! (Special thanks to Lynne for the handwork and Caroline for the fabric!)
I hope this post helped to see the process for some of the bits of handwork we all have hiding in our drawers. Try it, you’ll become a lover of vintage repurposing!
Hop on over to the tab Quilting Rulers! I’ve got a new, sweet little ruler! It’s only 5″ x 1 1/2″!! Tiny and mighty! Use either on a longarm or domestic machine. I think domestic machine quilters will love it. Super for tight spaces on a longarm and small throat areas on a domestic.
You can also get the full, 4 ruler set, for $55 and FREE shipping in the US. International customers, please choose the second option on the drop down menu, $65. Quilting Rulers
I’ve created these rulers for small hands, with curved ends to help movement over seams. No corners to slow you down! I have rave reviews for these and ladies with arthritis tell me they can ruler work all day without pain. Give them a try. I know you’ll love them like I do! Have a wonderful week everyone 🙂
I was thrilled for my first entry EVER to win a 2nd place ribbon over the weekend! What a treat! Entered in the new, VINTAGE category, at UQSM, in Sandy, UT.
The front quilting really created a wholecloth on the back of the quilt. LOVE IT!
And that second green ribbon? Even more super thrilled because it was for, “Teacher of the Year”! Let’s just say I had a great weekend! Thanks to all of you who follow my journey!
“Champagne and Caviar”, is the title I’ve given to this spectacular quilt! It began as a 100 year old, silk embroidered tablecloth, purchased from an estate sale. Unfortunately, I have no information about the maker, who is the major artist on this work!
This tablecloth was incredible when I found it! Exquisite handwork comprised of drawn thread work and a padded satin stitch using silk thread. Seriously incredible because the maker essentially DOUBLE embroidered this piece. First, with a white cotton floss to create a trapunto effect, then she stitched over the first embroidery with silk floss. Of course, pictures don’t do it justice. I will hope you might see it in person someday!
To begin this quilt, which is 75″ square, I stitched around every bit of embroidery and thread work. I backed the entire piece with white satin to give it a subtle sheen. I used the new Glide Cream color, 60 weight thread for the outlining. It’s a great super fine, polyester thread. There is a double batting in this quilt, Hobbs Heirloom 80/20 on the bottom and Hobbs 100% wool on the top. This gives the quilt fabulous loft and a trapunto effect.
I started in the middle, knowing this focal point would be an important part of the quilt. I used Handi Quilters’ Preview Paper, which is a sturdy, clear plastic to audition and play with designs. You can see what I decided on in the next photo. LOVE preview paper!!!
I worked different areas of this quilt depending on each days’ mood! I stayed on this for over a month, maybe 250 hours, which is really impressive if you know me! I get tired of working on the same thing and often hop from project to project. This was actually fun and I could hardly wait to get up every morning and work on something different.
At one point I realized I would need to start doing some embellishing as I quilted, so that I would make a show deadline. Yikes! Thank goodness I use Red Snappers, which made the loading process take just a few minutes each morning. I spent my evenings beading and my days, quilting!
Maybe the most difficult decision I had, was to eliminate some of the makers’ embroidery. It was the only part of this pristine piece that had some wear. I either had to repair the work that was missing or take it out completely. I spent many evenings taking out her work, which made me feel terrible. Once the quilt was finished, I loved that I made that decision!
A few more pictures of my process. This quilt is off to the Utah Quilting and Sewing Marketplace show in Sandy, Utah. It can be seen live and in person from May 4-6 at the South Towne Expo Center. Later this summer, it will hang at the Kansas City Regional Quilt Festival, held June 15-17, in Overland Park, KS. Finally, it will hang in an exhibit titled, “Gilding the Lily-Embroidery In Quilts Past and Present”, at the New England Quilt Museum in Lowell, Massachusetts. This is the exhibit it was created for. I’m so excited to show her off and particularly the historical value associated with this one of a kind piece. I’ve never seen anything quite like it!
This quilt is something I consider to be my masterpiece, as I wonder if I will ever have the patience to work on something so intricate again. I am beyond thrilled with the final product! I hope you enjoy this quilt in pictures and especially if you are able to view it in person. Yes, it is hard to believe that someone actually did all of this by hand, especially in our modern day world of machines. It was created in a simpler time, where TV and computers did not exist, when women used their spare time to perfect the handwork that they had learned from generations before. I also respect the imperfections and the fact that this piece is not square. I couldn’t bring myself to trim any part of this tablecloth and kept the shape as I found it. Maybe the maker is looking down on me and deciding that my quilting brought her work to another level, I hope so!
Thanks for visiting!
I should probably start to title these pieces because I make so many! Vintage hankies have become a bit of an obsession, maybe because they are easy to find, inexpensive and can be finished in an afternoon. I created this as an auction item for an upcoming bowling tournament I’ll be doing with the hubs. I needed to raise $160 for my spot, I had a $300 bidder, score!!! I was so excited to let this piece have a new home and make some money for a worthy group, Big Brothers and Big Sisters.
Details are simple, a vintage hankie on a Dupioni silk background. I used two layers of Hobbs batting, 80/20 on bottom and wool on top, Glide thread, and a few Swarovski crystals for embellishment. Framed, the finish piece is 16″ square. Thanks for stopping by!
It’s been awhile! Websites are difficult to keep up with! I use Facebook for my daily posts, but for my friends who aren’t on FB, this is a great place to share my work. I also sell my rulers here and have information on my speaking and workshops. What did we do before social media!???
I’ve just finished another hankie, but this time I used the computer for 90% of the piece. It’s for an upcoming class I’m teaching in Australia (yes, I said AUSTRALIA!!!) I am super excited and finishing up so many sample pieces for the variety of classes. This is for a class called, “Prostitcher and Beyond”. The PS (as we call her in the Handi Quilter world) is a fabulous computer that some days does a majority of my work. She is my very loved, personal assistant, that goes by Patty Sue, when we are alone in the studio 😉
The hankie began very simply, stitched onto a piece of white satin, roughly 20″ square. The wonderful “pouf” is created by two layers of Hobbs batting, wool on top of 80/20. I always use Glide thread, this color is Cream.
White on white is tough to see in photos, especially when there is nothing there. Now, add some quilting magic and it starts to take shape! I forgot to take a photo of JUST the motif, but it was an outlined shape, without anything filled in. The digitized motif is by Kim Brunner and can be found here. It is free in my PS library! Over 1000 designs come in that library and rarely do I need to purchase anything.
I used a different fill in each space, bubbles, scribbling and some ruler work.
The tatting on this piece is unbelievable, which is why I chose it! OH, and that sweet butterfly!
The finish! I added a piano key border, also found in my PS library, created by Susan Manry.
I added glass beads to tack down the tatting. The dime gives an idea of the scale.
Each finished piece becomes my favorite! I’ll add this one to the list!
This is a recent finish by my customer, Leanne. I love the colors and the mix of fabrics! Jewel tones in cotton, linen. wool and silk. The design is by Lynn Schmitt Gallagher, A Different Box of Crayons. Definitely one of those quilts that needed to be touched in every special piece. Details…..2 layers of batting, 80/20 on the bottom and 100% wool on top, Glide thread in multiple colors to match each fabric. Enjoy the pictures!
I’m often asked if I have videos to show how I’m doing a technique. I keep saying I’ll get a GoPro, but for now, my phone is quick and easy. Thanks to Leanne, whose quilt I am using to share some ruler work. Here are a couple of new clips on using my rulers.